Here is an additional bit of storyteller's food, something I found while searching some where to hear Ursula K. LeGuin ... one of my teller's inspiration. Link here to listen to Ursula K. LeGuin speak about the ways writers deceive themselves (and a few other things).
Copyright, Mokihana Calizar
2009
Part I
The Covey
Shemaladia of Osprey
There can be no Now without the fresh water pond that we call the source of Ever. Inconspicuous to the eyes of mortals the source of Ever is simply one among thousands of small ponds that serve Frog and Salamander during the seasons of winter and spring. Rain and snow fill the source of Ever and allow passage between the realms of beings too little to be significant to the large and the Giant. The warmth of summer turns the watery pond into grassy meadow, a spot where deer bring their young to bask and grow strong of foot. The source of Ever remains undisturbed below the layer of meadow, activities of small and grand consequences continue in natural progression. I was born to the beings called Shemaladia of Osprey and Freeilll Noa of the
The Wind moves in constant motion throughout Ever, and on those ninetieth sunsets pairs of beautiful winged ones swirl into the silvery cream of star-dust in a dance that is like showering rain. Together the pair embraces in a love sublime stirred by the Wind an orgy of exquisite light grows within each of them a single beautiful pebble-size egg. Though tiny, the egg is heavy with the weight of wind that has come from the Great Planet. The combined memory of stardust and wind weight draws mated pairs to a particular place on the Great Planet, where the two great birds lay one violet egg a piece. In the beginning, the pebble-sized egg once laid grew to the size of a human woman’s fist. My parents’ Great Planet nest rested high in the crag of a lightening struck fir not far from a pond in the foothills near the Two Brothers a giant’s step from the ledge where a once-young couple pulled a wheeled wee wagon to make their new home. Could they have known that they were being called to such a place of power and Reassembling? I think it is possible the woman knew she was called. But, there will be time for that as the story grows.
My mother Shemaladia of Osprey was a woman of golden eyes and silver-black feathers that glowed iridescent by star-light. She was a great huntress with beak the shape of the moon’s first curved crescent. Cycles of sunsets and moon risings had passed before Shemaladia of Osprey took a mate. Her destiny of independence stretched the covey’s norm of pairing before one hundred cycles. But there were no rigid time restraints on the huntress and other talents endeared her to the covey and beyond.
One night a very long time ago, the covey’s sisterhood gathered at the edge of the Lid … a wall of stones that ran the length of their wood. Songs of the warming were always part of the full moon gatherings; trills and memory melodies sung one after another from dusk until first sun taught young, un-paired women the past and the future. The laughter, wisdom, mischief and adventures of Ever were part of the ruckus and all females relished the brilliance of the moon light and fueled them in their connectedness to All. “Shemaladia of Osprey,” Oona the Songstress called. “Would you be sharing a Song of the Hunt for these young ones tonight? Could you be convinced to tell the story of riding winds and hunting stray souls for us tonight?”
There was never a need to convince my mother to tell a story, to be sure. The gesturing query an invitation and long-standing protocol Oona and Shemaladia had enjoyed since they were children. “Oona of the Song, the story is ripe for the telling, never a need to ask me twice, you can be sure of that.” Shemaladia’s golden eyes twinkled as she flew to the center of the covey’s semi-circle the women of all ages whistled and cawed their pleasure as Shemaladia, “She” in this circle, perched lightly on the bough of a great cedar and began to sing a song of wind and hunt. She began with the high shrill call that is the marker of all Osprey ….“Kreeilll,” the sound filled what seemed the entirety of the deep sky and in fact that is what happened when Shemaladia of Osprey began all her full moon stories.
Though she was unaware of the special magic afoot on this particular night, there was a glow to her beak unmistakable to 'Aina the aging Owl who listened with her eyes closed. “She is laying a trail to her mate this night, she is,” Aina the Old thought to herself a smile hidden beneath her lidded eyes. “One hundred and one cycles is a very good time to begin a warming of your own, Shemaladia of Osprey, a very good time for warming in deed.”
Shemaladia began her story song as she had for nearly fifty cycles …
Into the night of the full moon bright
Sky filled with star dust, and winds just right
There is a telling of times that were pure
Neither wink nor shout the cure.
Babies and mothers
Brothers and fathers
Sisters and cousins
Blood that is common a clue.
Time was a keeper
Of this and of that
You can be sure
I have checked on the facts.
A night filled with moon
Is perfect for riding
The trails of the lost
Souls who have ‘capened
Just why would a soul
Be escaping you question?
Why take a trail that
Breaks hearts?
What is a heart?
A cup, bowl or cave.
Seen from moon
It beams crystal.
On a night when light
Is equal to sun’s bright
A hunter will see
Who rides darkly.
These are the souls
Who have eaten
Beyond all that
Is sacred.
Wind-stained and emptied
Dark souls stand ready
Open to fuel or be cloistered
She sings into the deep
A song that will tap
Into well moist with memory
The taste still familiar
The smell warm as tall wood.
These are the words
To the song that will
Capture the heart
Of a soul thought lost.
Sing loudly.
Sing joyful.
The moon full is precious.
Sing them here.
Sing them home.
“Kreeilll, Kreeilll, Freeilll…”
Shemaladia of Osprey bowed to the winged clapping of a thousand Wood Crafters and then flew to the logs below to join her sisters, cousins and crones for a feast of fish and sweet pine nuts. No one had noticed the new sound that ended the song that full moon night, 'Aina the old was right of course my mother had formed a new sound, one that fit the ear of a wandering Wood Crafter. Freeilll Noa of the
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